Goddess Cultures

(excerpts from Laurie Cabot's Power of the Witch)

  

In the early years of the twentieth century the archaeologist Arthur Evans discovered the ruins of a lost culture at the town of Knossos on the island of Crete.  The paintings and artefacts that he found depict a joyous, playful, sensuous, peace-loving culture where women held positions of honour and power and where men were subservient and presumably second-class status.  At first scholars thought this Minoan culture on Crete to be a kind of fluke.  But other towns in the eastern Mediterranean have been uncovered that reflect a similar matrifocal organisation to that on Crete.    

"Guinevere" by Jonathon Earl Bowser

Artist: Jonathon Earl Bowser - Used with permission

In Anatolia (present-day Turkey) the towns of Catal Huyuk, Mersin, Hacilar and Alalakh were also matrifocal Goddess cultures.  At the other end of the Mediterranean, Marseilles and Syracuse were Goddess-worshipping centres, and perhaps the most famous of all was Ephesus, a Greek city on the west coast of Anatolia.    

     

What were women-centred, Goddess-worshipping cultures like?  Many scholars have noted their strong resemblances to the larger number of European myths and legends about a Golden Age, suggesting that the myths arose as latter-day accounts of what had once been reality.  The absence of military fortifications and weaponry indicate that they were peace-loving cultures.  There seems to have been no large-scale, organised warfare, only the minor, personal skirmishes and conflicts that arise in any human society.  Weapons were small, personal instruments, which suggest they were used primarily for defence.

   

Goddess centres also lacked a bureaucratic political structure; people lived in clan-like extended families run by mothers.  There was no slavery.  Women functioned as priestesses, artists, agriculturists and small-game hunters.  Food was abundant and supplied by gathering, foraging, hunting and later small-scale farming.  In short, these Neolithic Goddess cultures seem to have sown the seeds for Western thinkers' fascination with Utopia, not as a future possibility, however, but as a dream about a reality we have lost.

  

It is not surprising that ancient life centred on mothers.  Bloodlines, kinship and property rights naturally descended through mothers because the mother-child relationship was always paramount.  A child always knew its mother.  Even after fatherhood was understood, mothers and children did not always know who the father was.

  

Matrifocal societies may indeed have had the characteristics of a Golden Age simply because the primary bonding was between children and mothers.  As psychiatrist Erich Fromm has pointed out, children must win their father's love, usually by obedience and conformity.  A  mother's love is unconditional, which breeds goodwill.  Cultures based on mother love and reinforced by religious rites centering on the Mother Goddess would have been peaceful, easy-going, life-nurturing societies built on trust.  The sacredness of all life would have been stressed, and violent, destructive behaviour discouraged.  Humanistic values arising from the natural playfulness of mother and child, rather than obedience to an authoritarian figure, would have cemented social relations.

  

The Goddess centres discovered around the Mediterranean are representative of the matrifocal cultures in other parts of the world.  Their discovery has led some sholars to suggest that Neolithic civilization, especially in temperate climates, was matrifocal everywhere and that women were the originators of human culture.  Because of woman's centrality in human life and society, she would have been the developer of the arts and skills necessary for civilisation to advance.  Women's labour provided the bulk of the food supplies, if the hunting-gathering societies that still exist in our own day are any indication.  Here women provide 60% of the food, and social myths and customs indicate that the gathering and preparation of food were always female responsibilities.  As part of the food preparation women would have developed processing, preserving and storage techniques.

  

To provide clothing women learned weaving skills and the art of tanning and dyeing hides.  Among the first attempts at art may have been the designs that women painted on leather or wove into textiles.  Women were probably the primary fire keepers, a sacred and vital function in primeval societies.  In eighty-four tribal societies that have survived into the twentieth century, women are still the primary builders and keepers of fires, and many of these cultures have legends about woman being the original discoverer of fire.  Ovens were referred to as a kind of belly or womb.  Woman's role in the ritual maintenance of fire continued down through the centuries, as seen in the vestal virgins of Rome and the Irish nuns of St Brigid at Kildare, who tended sacred fires until the time of Henry VIII.  As fire keepers women would have been in charge of pottery, ceramics and metallurgy.

  

As the primary gatherers of herbs, grains, nuts, berries and roots, women would in all likelihood have been the original herbalists and pharmacologists.  With their knowledge of medicinal herbs and remedies, women were the first official healers and health-care providers.  (The World Health Organisation relates that 95 per cent of all health care even today is provided by women).  Cataloguing and explaining to their daughters the various parts of plants and showing how to prepare them, pointing out which were poisonous, and cataloguing herbs and cross-referencing them with specific ailments may have entailed the refinement of communication that led to the development of language as we know it.  Anthropologists who suggest this theory point out that hunting large game, the male's primary function, would not have required such meticulous detailing and cataloguing of information.  Hence vocabulary and sentence structure would not have been as extensive or complex.  Hunting is best taught and executed by silent observation and imitation.

  

Women's experience also shaped our ancestors' concept of time.  The earliest calendars were lunar calendars based on the twenty-eight-day cycle of the moon and the thirteen moons in a year.  Chinese women developed lunar calendars three thousand years ago, and lunar calendars have been discovered at Neolithic sites across Europe.  They were also used by tribal people in the Americas up into modern times.  Since menstrual cycles follow lunar cycles - and still do today when women live away from from artificial lights - Neolithic women would not have escaped noticing the strong connection between the two.  They probably even identified the two as being parallel aspects of the same phenomenon - an indication that the Goddess who manifested in the moon each month also manifested in their own bodies.  The Gaelic words for menstruation and calendar still reflect this close identification.  They are miosach and miosachan respectively.  As Stone Age women etched or notched moon-time on to wood or stone to track menstrual cycles, calculate pregnancies and predict births, they developed the earliest forms of mathematics and astronomy, two fields which scholars believe originated in conjunction with one another.

  

If women and women's mysteries inspired astrology and calendrical sciences, then women's influence was most likely the inspiration for the stone circles and megalithic structures that were built all over the globe.  Many of these were laid out to mark the passage of time by means of celestial events such as the appearance of certain constellations in the sky at appointed times of the year or the rising of the sun at the summer and winter solstices.  In other words, Stonehenge and Avebury in England, and their counterparts in other areas of the world, were huge astronomical observatories.  On of the most recently discovered examples is an Irish tomb outside Dublin built in alignment with the rising sun at the winter solstice so that the first rays of the dawn on 21 December enter a small slit in the roof of the tomb and throw pools of light which illuminate designs carved on the floor in the inner chamber.  This old Celtic tomb, erected over five thousand years ago, is older than Stonehenge and the pyramids.

  

In many of these stone circles, or 'medicine wheels' as they are called in Native America, sacred rituals were performed in conjunction with solar, lunar and stellar sightings.  Even today astonishingly accurate observations can be made using these structures, even though the stones themselves look crude and clumsy.  The mathematical precision with which they were laid out and constructed clearly indicates that these old tribespeople were sophisticated engineers and geometricians.  It also indicates that they felt a powerful need to construct, by means of their own physical labour, earth structures that would be in harmony with celestial events.  They intuitively understood that harmony and balance need to be affirmed by human endeavour, that it was their responsibility to express and live according to the patterns of harmony they saw around them.  The same should apply to us living today - for of all the earth's creatures, human beings have the power to ignore, even destroy, the balance of nature.  Today the haunting stones and medicine wheels appear like sentinels guarding sacred places as well as sacred concepts.  They seem to say to us, 'Be careful.  Enter this sacred space only if  you vow to uphold the harmonies and beauties of creation.'

  

It is well known that in small groups of women living or working together, menstrual cycles harmonize and align with each other.  Scholars believe this was the norm in tribal life.  Thus all or most of the women would share their menstrual times together, and the monthly period would have been recognised as a time when woman experienced the divine power inherent in the earth and moon most intensely.  In many indigenous cultures women still spend these days in meditation and sacred rituals.

  

When human life and social activity coincide with the natural cycles of the earth and moon, ovulation and menstruation occur regularly in conjunction with lunar phases.  The former coincide with the full moon, the latter with the new moon.  Modern life has not totally destroyed this conjunction.  More births occur around the full moon than during any other time of the month, which makes sense considering that the human gestation period lasts the equivalent of nine lunar months.

   

As one sifts through the scattered bits of information gathered from cultures around the world and dating back thousands of years to pre-recorded history, a pattern begins to emerge.  The most intimate female experiences - ovulation, menstruation, gestation, birth, the production of milk - and the clocking of these experiences formed and shaped our ancestors' conceptions of time.  And the way a people measure time determines the timing and nature of their important social activities and rituals which become the foundation for civilization.  For these reasons, it is suggested by many scholars that women were the real culture bearers and founders of civilization in these prehistoric times.

   

Witches practice many of the same arts and skills that lie at the base of human culture and were once considered sacred to the Goddess.  As we cook, sew, brew potions, prepare herbs, build fires, collect healing stones, set up altars, read the omens in the movements of earth and sky, perform healing rituals for the sick, we recite the prayers and chants that we hope are similar to those chanted by our Neolithic grandmothers.  We continue to use the old names for the Goddess.  In Crete, the place where the Goddess culture flowered for the last time in all its purity, were worshipped the famous Greek Goddesses - all aspects of the one Goddess - whose names touch something deep and sacred in our unconscious, names that we invoke in many of our rituals: Aphrodite, Athene, Demeter, Persephone, Artemis, Hecate.  Witches continue to honour the Great Goddess depicted in Cretan art as the Lady of the Beasts, the Lady in tune with the wild things of nature, the Lady who can pick up serpents and channel energy from the sky and the earth, the Lady who knows the secrets of herbs and plants.

   

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