(See also Channelling)
Most people
have either seen a ghost or sensed a presence or
know someone in their immediate family or circle of
friends who has witnessed an apparition, heard
inexplicable footsteps or smelled a deceased
grandmother's perfume.
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The
Sorceress by John William Waterhouse
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Many
of these experiences are entirely spontaneous but it is
possible to be more in tune with presences from another
dimension. Even if you have not seen a ghost before,
or not since childhood, you will find it possible to tune
into atmospheres and feelings from those who have died.
Ghostly
experiences are of two main kinds. The first involves
familiar friendly presences of deceased mothers,
grandmothers, fathers and children. You may see a full
apparition or have a sudden sense of being loved and watched
over by someone who is no longer alive. Such
experiences are very common but are often dismissed by
psychologists and scientists as wishful thinking or just
part of the grieving process. But, contrary to this
expert opinion, the majority of these cases are totally
positive and can help a grieving relative to accept the
earthly loss. This might explain why deceased
relatives are frequently seen sitting in a favourite chair
at a family gathering. One explanation for these
apparitions, is that the essential, etheric person that we
are all said to possess (see Auras) can survive death and
still has bonds of love with those left behind.
Alternatively, the powers of family routine may be so strong
that an imprint of a deceased person remains and can be
triggered by surviving members of the family carrying out
that routine activity at the customary time.
The
second source of ghostly presence is when the apparition is
attached to a particular place. Frequently these
hauntings occur in an ordinary house where a previous owner
died, after living in the dwelling for many years, perhaps
establishing a very definite routine. In such cases,
it is the house that holds the impression of the deceased
person. This is borne out by the fact that a young
child will often describe a domestic ghost in detail and
verification will then be obtained from an elderly neighbour.
Gilbert
Attard, a French parapsychologist who has studied the
geophysical aspects of the paranormal for twenty years,
offers a scientific explanation for phantoms.
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If someone dies
in a closed space: what would happen at the moment
of death? Science has demonstrated that at
that moment everyone releases a radiation or
electromagnetic field which is directly linked,
qualitively and quantitatively, to the individual's
chemical structure.
We can say that at the
moment of death the magnetic field will imprint
itself on the surrounding matter. An old
Provencal tradition says that in a room where death
has occurred all containers should be emptied of
water, as the water will be contaminated.
Physics gives us an answer.
We know that matter is composed of neutrons and
protons which are in perfect equilibrium with their
surrounding electrons. Biologists say that at
the destruction of cells all the genetic
material disperses, causing the release of a great
quantity of energy which can resonate with the
energies which compose other bodies, living or
otherwise. Compare this with nuclear fission
which releases a great quantity of energy which
becomes residual radioactivity.
At the moment of death
everyone gives off a magnetic field, intensified by
emotions, which can penetrate the surrounding matter
and modify the biochemical functions of molecules.
The result will be to impregnate the matter with the
magnetic field of the deceased. This field is
also charged with the emotion felt at the time. |
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This
force, says Mr Attard, could explain why clocks
often stop at the moment of their owner's death.
But this theory does not entirely explain the
continuing communication between a presence and
those who move into his or her home.
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Communicating
With Ghosts
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If
you do sense a presence of see an apparition,
treat the encounter as you would any other
communication on an earthly plane, maintaining
the same politeness and respect for privacy.
It is a privilege to see, hear or sense a ghost
and you are in his or her home. To the
ghost, you are the visitor or perhaps, if their
world is till in motion, you are the apparition.
(A woman who saw a Victorian ghost in the
Assembly Rooms in Norwich, UK appeared to
startle the phantom.)
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If
the ghost is set on a particular path, do not
try to chase him or her. Follow discreetly
and see where the phantom disappears, often
through a wall. If you examine the wall
carefully afterwards, you may see traces of an
old door at the spot. Apparitions tend not
to be aware of changes to their original homes.
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Note
any details of their appearance and clothing
which may give clues to their age and identity.
Study a map of the place and ask about the
history if you are in a stately home or ruined
abbey.
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Do
not worry if you cannot match your phantom to a
great lord or lady, or even to the ghosts
recorded at the place. You may well have
seen a servant whose dress was rather
indeterminate. The majority of ghosts are
ordinary people who lived out their lives within
the walls.
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Finding
Ghosts
You
are unlikely to see a phantom on a ghost-hunting
weekend or at a famous haunted castle or palace,
although some people do encounter
apparitions on a UK Bank Holiday in the Tower of
London.
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Choose
a less popular location, perhaps an industrial
museum or a manor house, preferably one that is
inhabited so that it is still a focus of
domestic life.
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Visit
in the early evening, just before closing, on an
autumn day; or in the morning, as the property
opens in the spring,. These are times of
the year when life is at a change point and so
the dimensions move close. When it is
quiet and the atmosphere fresh and unhurried,
you are more likely to see or sense something.
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Choose
a property or place that you can visit without a
guide so that you can wander slowly, pause in
alcoves with window seats, and let the
atmosphere envelope you.
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If
you cannot see or sense anything, study a
picture of a former member of the family in the
house or grounds and try to find their favourite
spot.
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Choose
a portrait of someone with whom you share
emotional links. Perhaps you are both
mothers of young children. Or, if you
choose a servant holding a horse in a picture,
you may see in his eyes a love of animals that
you share. Read or ask about the person
and you may find that, although separated by
centuries and perhaps wealth and social class,
you can identify with his or her joys and
sorrows. The more you identify with the
chosen character, the greater the bond and the
easier it is to bridge the ages.
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Stand
in the spot, or one like it, with your eyes
closed, and recreate the painting in yoru mind's
eye. Build up, especially, the image of
the person you saw in the portrait, beginning
with a vivid colour on a dress or tunic and
expanding outwards until you are within the
picture.
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When
you open your eyes, you may see the person or
someone else from the same time, perhaps a
shadowy form, an outline or a mist.
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Extend
a positive thought across the ages and you may
find the picture clears slightly. Let it
go when it begins to fade and spend a few
moments allowing yourself to return naturally to
the present.
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Being
Close to a Deceased Relative
As
a general rule it is not advisable to try to call a
deceased person back to you, since we do not
understand the nature of the after-life or how it is
that loved ones seem able to return at certain times
and in certain ways. When the time is right,
or you are sad or worried, you may find yourself
seeing a strong picture of the deceased person or
hearing in your mind a special phrase that he or she
used as an endearment.
At
the same time you might spontaneously detect a faint
perfume or see a shadowy form and feel yourself
enveloped in love. It has been described as
being cuddled in a blanket of caring. If you
want to feel close to a deceased relative, there are
several steps you can take:
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Choose
a place where you were happy together (rather
than the cemetery) and visit at a time of year
or a particular date that had significance for
you both. This is a more positive setting
than the anniversary of the death, although many
apparitions of family members are seen
spontaneously on such anniversaries.
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Go
with a sympathetic friend or family member who
also knew the deceased person an 'recall' the
person by talking about previous happy
occasions, the minor disasters that occurred,
and the jokes and eccentricities of the loved
one in order to recreate the whole picture.
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Wear
or carry a momento if possible, use a favourite
perfume or carry a pouch of tobacco smoked by
the relation, and wear his or her favourite
colour. If you have photographs taken at
the place, bring them along. Visit a
favourite tea shop and order a familiar meal.
Slowly you will become aware of the presence of
the person, perhaps a shadow, a faint laugh or
just a vivid picture in your mind's eye that
seems achingly real. Do not dismiss these
inner visions as mere imagination. You may
hear the familiar voice in your ear or half-see
out of the corner of your eye a fleeting
familiar action.
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Place
a little of the perfume on your pillow and you
may dream a positive, happy contact. If
not, be patient, for, in time, you will receive
a hint, perhaps more, that death is not the end.
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Do
not be afraid to talk to the dead person when
you are alone. Many people do this and it
is not a sign of madness but part of the gradual
loosening of the physical bonds that, with a
married couple, may have lasted more than half a
lifetime. Make sure you have plenty of
earthly contact and you will find that the
conversations will diminish or even cease of
their own accord, except in times of stress or
sadness. However you may always want to
say goodnight and you may hear in your mind's
ear, or externally, your words returned.
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Finally,
if you do get an opportunity to talk to a ghost,
whether a family member or a stranger, he or she
may look quite ordinary and three-dimensional.
It is only when the person disappears into thin
air that you may notice a slight chill in the
air and feel the hairs rising on your neck.
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